![]() So far I've never solicited for work, it all comes to me, which since I have the day job as a teacher suits me just fine. Here's the credit page from vol 7.īeyond that it's a matter of posting on places such as deviantart and building up a reputation and fan-base. Coupled with Apple Pencil adding a unique level of control and precision that feels totally delightful and natural. Paint with artistic brushes that lay painterly textures. Open up Procreate and youre greeted with over 200 handcrafted brushes. ![]() The rules of using them are the same with my other freebies: - Credit me where possible with the link of this entry. The world’s biggest library of brushes at your fingertips. These shapes were made by me in Illustrator with sizes around 1100 to 1300 px. (volume 7 onwards) It paid a pittance as piece-work, and I mean a REAL pittance, but it also meant that I can officially say I 'work for Marvel" and I have the signed contract to prove it. My two first brush sets include abstract circles and spiral ones. One day an editor at Marvel emailed me and asked if I'd like to come on board as a lowly re-furbishment artist for the "Official Handbook to the Marvel Universe" books. DeviantArt is the worlds largest online social community for artists and art enthusiasts, allowing people to connect through the creation and sharing of. so basically backend deals just mean you're going to get it up the ass at the end of the day) Eventually people started to email me asking if I'd colour their pinup/splash/cover or if I wanted to do their indie-comic (usually for a backend deal which means I only get paid if the book sells for a profit - and 90% of them don't - and *if* they remembered to pass on the money. I just spent years posting art like this to the various forums such as digitalwebbing, penciljack, gutterzombie and so on (full list on my website -> ) and practising. You couldn't really say that I am in the industry, but I skirt around the edges.
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